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TEAR • 1998 • TEAR 001 CD • LIMITED EDITION

WHAT'S IT
ALL FOR?

A complete four-track Tear CD survived in the archive — artwork, disc, credits and all four recordings.

Original 1998 Tear What's It All For? CD artwork
Original 1998 artwork. Archive scan from the surviving CD package.
THE ARTEFACT

A whole record came out of the box.

The four MP3 files had been sitting on an old Cruse Control web server. Together they turn out to be the complete What's It All For? CD by Tear.

The original disc identifies it as TEAR 001 CD and LIMITED EDITION. The sleeve credits all songs to Tear © 1998.

This is presented here as an archive object rather than a new Paul Cruse release. Paul and his wife knew the band, but were not present at these recording sessions.

READ HOW TEAR ENTERED THE STORY

Recorded & mixed by Colin Rip
Music Works, Brixton, London, England
1998

Original Tear What's It All For? compact disc
The surviving disc carries the original running order and durations.
THE COMPLETE CD

Four tracks.
All four survived.

The files retain their old web-server filenames, but the titles and running order below follow the original CD itself.

01

What's It All For?

3:28 • archive file: what.mp3
02

Lonely Rider

4:24 • archive file: lonely.mp3
03

Dinner

3:10 • archive file: dinner.mp3
04

Rivers Run Dry

3:10 • archive file: rivers.mp3 • a particular Paul Cruse favourite
ORIGINAL ARTWORK & CREDITS

The sleeve settles the details.

Original Tear What's It All For? sleeve credits
Original sleeve credits. Wording and punctuation are preserved in the scan.
Tear What's It All For? original artwork
The tear-and-eye artwork includes an oil painting credited to John Day.
Tear What's It All For? original CD
TEAR 001 CD — Limited Edition.
TEAR • 1998 LINE-UP

Who was there.

Trevor Piggott
Lead vocals, acoustic guitar, djembe

Michelle Brisa
Lead vocals, djembe

Amanda Clark
Lead vocals

Paul Skelton
Drums, percussion

Tim Connell
Bass guitar

Jethro Baker
Pianos & organs

Guest saxophone: Paul Bartholomew on Track 1.

Recorded & mixed by: Colin Rip at Music Works, Brixton, London, England.

Oil painting: John Day.

Promotion: Red Road Promotions.

The sleeve also contains a small contemporary breadcrumb from another part of Tear's history: a thank-you to “Justin the man with the van at Glastonbury!”

The bass player was definitely there by now.

FROM MEMORY TO DOCUMENT

Brixton wasn't a guess after all.

Paul remembered this final recorded Tear work as being made in Brixton around the period he and his wife were moving from New Cross to Moor Park in 1998. The surviving sleeve now confirms both Brixton and 1998.

It also clarifies another remembered detail: both Trevor and Michelle are credited with djembe on the CD.

Other parts of the earlier Tear story — including the precise venue and exact line-up on the first night Paul saw the band — remain memory rather than documented fact.

Keep the record.
Keep the memory.
Know which is which.

THE BASS PLAYER WHO WASN'T THERE →